The hours


Weather is not the enemy
Dry season (May to September) gives clean light and sharp shadows every morning, and it is the only season the vehicle can drive into the middle of the valley — useful when you carry a heavy bag. The rainy season (December to March) gives something the dry season cannot: clouds drifting between the spires, mist filling the gullies, the needles appearing and disappearing. Some of the best photographs of this valley were taken in bad weather. Protect the camera, wait ten minutes, and shoot when the cloud thins.
Where to stand
- The ridge viewpoint — the classic: both walls of spires with the riverbed between them, the city in the distance. Wide lens, person on the edge for scale. About 25 minutes uphill at a slow pace.
- The riverbed — looking up. The spires tower; a 24 mm lens held vertical does it. Best in the first hour, when one wall is lit and the other still dark.
- Inside the gullies — where the trail squeezes between columns. Long lens, compress the needles, isolate a cap against the sky.
- The road in — at dusk the road becomes a leading line into silhouetted spires.



What to bring, for the camera
- A wide lens (16–24 mm) for the walls and the riverbed
- A long lens (70 mm and up) for caps, textures and people on the ridge
- A spare battery — cold mornings and altitude drain them fast
- A cloth: the dust is fine and it gets everywhere
- One piece of coloured clothing for your subject: red or white against grey stone
- A head torch if you shoot sunset — you walk down in the dark
Drones: allowed, but tell the community members at the chain first, every time. It is the single most important rule of this page.





